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Nils Holger Moormann

Born in Stuttgart in 1953, Nils Holger Moormann lives and works today in the Bavarian town of Aschau in Chiemgau. After giving up his law studies, Moormann began in 1982 with the production and distribution of furniture. The Gespanntes Regal shelf by Wolfgang Laubersheimer proved a quick success and in 1984 Moormann founded his company in Aschau, which now employs some 20 people. At the end of the 1990s, he converted an historic riding centre into a design workshop and office complex. In addition to producing his own designs Nils Holger Moormann has cooperated with numerous international designers including, and amongst many others, Tom Fischer, Takashi Sato and Katharina Ploog. An important part of the Moormann philosophy is helping young talents take their first steps as a designer by maturing and producing their products. For this, quality and quantity always count for him: rarely more than two new products are added to the product range each year, in order not to make the company too big and to ensure its flexibility. Sales and manufacturing of its furniture is exclusively handled with regional companies. This brings Moormann several advantages: the region is economically strengthened, the quality of manufacturing process and materials can be better ensured, and the environment is spared by short transport routes. The philosophy of Moormann, combined with the simple but intelligent way in which his furniture looks, make the designer so extraordinary.

Designer Nils Holger Moormann


More about 'Nils Holger Moormann' in our journal

Gaga Dada 2: Objekte zwischen Kunst und Design, Galerie Zippenfenig at Nils Holger Moormann Salone München

...Presented during Munich Creative Business Week 2025, but not part of the official Munich Creative Business Week, MCBW, 2025 programme, which is cheeky; not that guerilla cheeky Nils Holger Moormann, man and company, are known, rightly celebrated, for, rather just plain cheeky, approaching rudeness cheeky... And that not only because Nils Holger Moormann, man and company, are amongst those from whom we've learned the most over the years, to whom we will always be grateful and whose developments we keenly follow, thus our querying of, disappointment at, the plain cheeky not guerilla cheeky of Gaga Dada 2's timing, nor only because Nils Holger Moormann, man and company, are very much associated with the early development of smow, without whom smow would be a very different beast today, but primarily on account of the subtitle, on account of the promise contained within the subtitle: Objekte zwischen Kunst und Design, Objects between Art and Design...

Minimalism meets function - smow Interview with Marie Luise Stein, Designer of the Liesl shelving system

...Together with Nils Holger Moormann Marie Luise Stein developed the Liesl shelving system – a minimalist and sophisticated storage solution for modern living, and which seemed a good place to start, for all with the question, how the idea for the Liesl wall shelf came about?... Over the years I worked on it repeatedly until the first 1:1 prototype was created and from there I developed the concept further until I finally worked with Nils Holger Moormann to make Liesl what it is today...

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...Stühle zum (Be)Sitzen's brief tour through the (hi)story of chair design in western Europe ends with Harry Thaler's 2011 Pressed Chair through Nils Holger Moormann, a chair that as Harry once told us began as "a small fork made from one piece of wood", became a desire to create a chair in one material, and which through the choice of pressed aluminium not only neatly translates the moulded plywood of, for example, Arne Jacobsen, Aino and Alvar Aalto or Charles and Ray Eames into metal, but reminds that the plastic shell of the RAR that rocks next to the Pressed Chair in Stühle zum (Be)Sitzen began life as pressed steel, before that was deemed too expensive and the, then, novel fibreglass was used... And a Pressed Chair produced by Nils Holger Moormann, a manufacturer, a furniture publishing house, who arose from the ferment of 1980s Neue Deutsche Design, that questioning, challenging, provoking and polarising of and with furniture design and relationships to furniture of that period, by the eponymous Nils Holger Moormann who as a designer took the impulses and experiences of Neue Deutsche Design and began developing furniture that for all it appears very far removed from the brashness, insolence, humour, questioning, challenging, provoking and polarising of the 1980s, is but an alterative expression of that brashness, insolence, humour, questioning, challenging, provoking and polarising...

The Historia Supellexalis: "G" for Grcic

Grcic A Konstantin; A Nurturing; A Reduction There are a great many legends surrounding the origins of Grcic, and while many are centred around the regions today known as München and Wuppertal, the more plausible appears to be that Grcic arose in the days of...


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