On May 17th 1955 Charles Eames*, as assignor to the Herman Miller Furniture Company, was granted US patent 2,708,476 for a “Furniture Frame Construction”, specifically for, “a skeleton type metal furniture frame or shell construction” formed from “a plurality of lengths of wire arranged in crossed relation with another plurality of lengths of wire and welded thereto at their intersection…”1
A patent which although important and interesting in itself, is and was in many regards just as important and interesting for developments that arose on account of it. And for what its (hi)story can teach us about the work of Charles and Ray Eames……..
Throughout his numerous lives and careers Isamu Noguchi practised as an artist, set designer, garden designer, furniture designer, lighting designer, etc…. yet through all incarnations he remained one thing: a sculptor.
Isamu Noguchi’s most popularly known work is inarguably his Akari lamps, yet before Akari there came a lamp which in many regards exists more in context of the man and his art than its more famous relations…..
Dear Judge Tessin:
I will herewith express our delight to have Florence with us this summer. I am sure that it will be good for her to see a little more of the world. We are going to Sweden, Finland, Denmark, Germany, and Holland. We will take good care of her.
Most sincerely yours,
And take good care of Florence, Eliel Saarinen did: so much so that she advanced to become one of the most important protagonists in the development of post-war furniture, textile and interior design.
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