...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...
|Product type||Dining chair|
|Weight||118 with wicker seat: 4 kg
118 M with moulded wooden seat: 4,3 kg
|Material||Frame: solid beech, stained or glazed
Seat: wicker with plastic backing or moulded wood
|Variants||Also available as 118 High Gloss with high gloss colours|
|Delivery includes||With plastic glides|
|Care||Click for more information (ca. 0,7 MB).
|Certificates & Sustainability||Thonet has declared sustainability to be a corporate principle. The manufacturer continuously optimizes all processes from production/technology, materials management and recyclability to transport routes and constantly pays attention to resource-saving energy and material consumption. Last but not least, social and ethical principles are among the top priorities. Thonet has been awarded the "Green Globe Certificate" for its measures of sustainable and environmentally friendly management - further details can be found here.|
|Datasheet||Please click on the picture for detailed information (ca. 3,1 MB).
More about 'Thonet', '118' in our blog
...And which brings us to the Thonet Test... Furniture from Thonet at the Grassimuseum Leipzig, the Thonet Test is a very poorly defined test which in essence poses the question if an exhibition devoted to a particular manufacturer, and/or sponsored by a manufacturer featured in the exhibition, is just advertising for that manufacturer?...
...In January 1928 Standard Möbel began selling Breuer's designs, and in the same year Thonet began producing further steel tube designs by Breuer; that Standard Möbel enjoyed, at best, middling success, and Thonet were a much larger, established, manufacturer, Thonet acquired Standard Möbel in 1929, thus, and logically, uniting the Breuer portfolio under one roof... Following the sale of Standard Möbel Lorenz both established his own company, Deutsche Stahlmöbel, DESTA, and acquired on behalf of Mart Stam copyrights for Stam's cantilever chair designs; thus allowing Lorenz in 1930 to sue Breuer and Thonet for infringement of Stam's copyrights...
...It's probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet... And now with the 118 Thonet present the "Offenbach" Chair, a nod to Sebastian Herkner's adopted home, and a name which contains the sort of delightfully irreverent self-irony sadly missing in the largely humourless contemporary furniture industry...
smow blog Design Calendar: June 1st 1932 - Mart Stam Awarded Artistic Copyright for the Cubic Cantilever Chair
...In July 1928 Marcel Breuer began cooperating with Thonet 4, by January 1929 Thonet were marketing the first Breuer works, and in the course of that year the first Thonet tubular steel furniture catalogue was published, a catalogue featuring exclusively Breuer's designs5... Thus in early 1929 one had a situation in which both Standard-Möbel and Thonet were selling Breuer tubular steel furniture...
One of the biggest challenges facing product designers in coming years will undoubtedly be the question of planned obsolescence. For while we genuinely believe that the majority of designers understand their responsibilities in terms of sustainability and...