Re-Editions: Between Zeitgeist and Timelessness
...Take Jil Sander, for example, who teamed up with Thonet to give Marcel Breuer's famous cantilever chair an elegant new look – celebrated above all in Milan...
Product type | Dining chair |
Dimensions | ![]() |
Weight | 118 with wicker seat: 4 kg 118 M with moulded wooden seat: 4,3 kg |
Colours | ![]() ![]() ![]() ![]() ![]() |
Material | Frame: solid beech, stained or glazed Seat: wicker with plastic backing or moulded wood |
Variants | Also available as 118 High Gloss with high gloss colours |
Delivery includes | With plastic glides |
Care | Click for more information (ca. 0,7 MB).![]() |
Certificates & Sustainability | Thonet has declared sustainability to be a corporate principle. The manufacturer continuously optimizes all processes from production/technology, materials management and recyclability to transport routes and constantly pays attention to resource-saving energy and material consumption. Last but not least, social and ethical principles are among the top priorities. Thonet has been awarded the "Green Globe Certificate" for its measures of sustainable and environmentally friendly management - further details can be found here. |
Warranty | 24 months |
Datasheet | Please click on the picture for detailed information (ca. 3,1 MB).![]() |
...Take Jil Sander, for example, who teamed up with Thonet to give Marcel Breuer's famous cantilever chair an elegant new look – celebrated above all in Milan...
...The result is a collection of some 80 chairs at various locations throughout the Dessau Bauhaus building and in the foyer of the Bauhaus Museum Dessau; some 80 chairs composing a juxtaposition of licenced works through Knoll, Thonet and Tecta, including the B3 'Wassily' club chair by Marcel Breuer, the S533 R by Ludwig Mies van der Rohe or the D4 by Marcel Breuer, of plagiarisms of those licensed works, and also of alternative interpretations of those licensed works by furniture retail chains such as Ikea or XXXLutz and designers such as Jasper Morrison... The latter a question also posed by the inclusion in Mehr als echt (More than real) of the S 43 cantilever chair by Mart Stam through Thonet, a work without question of importance in context of the (hi)story of furniture and of Functionalist Modernism, but a work, as with all works of Stam, that has as much to do with Bauhaus as this blog...
...It's probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet... And now with the 118 Thonet present the "Offenbach" Chair, a nod to Sebastian Herkner's adopted home, and a name which contains the sort of delightfully irreverent self-irony sadly missing in the largely humourless contemporary furniture industry...
...In addition Ferdinand Kramer realised numerous furniture projects in cooperation with Thonet, most famously arguably being his B403 bentwood chair, while in context of his tenure at Frankfurt University Ferdinand Kramer designed, pretty much, all the furniture and furnishings... This process, which today is particularly important, is not only historically interesting: it alone explains the immense sales of the Thonet industry, and provides a very interesting reference for the further development of rationalisation in the furniture industry...