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Flowerpot VP1 Pendant Lamp

by Verner Panton, 1968 — from 242,00 €
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Flowerpot VP1 Pendant Lamp

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242,00 € *
3 x in stock, delivery time 1 working day (country of delivery Germany)
3 % advance payment discount*: 234,74 € (Save 7,26 €)

The Flowerpot pendant lamp by Verner Panton and distributed by &Tradition transports the trendy design of the Sixties to the present day. Available in a variety of rich colours, the Panton designer lamp also comes in a range of metallic finishes and thus can be enjoyed by lovers of brass or copper coloured lighting.


Product type Pendant/ceiling lamp

Cable length: 3 m
Weight 0,95 kg
Colours Lacquered

Metallic lacquered

Material Lacquered steel
Textile cable in same colour or black (metallic versions)
Function & properties E27, max. 40 W
Delivery includes Light bulb not included
Care To clean, wiping with a damp cloth and a mild detergent is recommended
Assembly Please click on picture for detailed information (ca. 0,2 MB).

Certificates & Sustainability IP Code IP20
Protection class II
Warranty 24 months
Product datasheet Please click on picture for detailed information (ca. 1,0 MB).

Product family Flowerpot Collection


Popular versions

Flowerpot VP1 Pendant Lamp, Matt white
Flowerpot VP1 Pendant Lamp, Matt black
Flowerpot VP1 Pendant Lamp, Matt light grey
Flowerpot VP1 Pendant Lamp, Tangy pink
Flowerpot VP1 Pendant Lamp, Chrome-plated
Flowerpot VP1 Pendant Lamp, Grey beige
Flowerpot VP1 Pendant Lamp, Swim blue
Flowerpot VP1 Pendant Lamp, Mustard
Flowerpot VP1 Pendant Lamp, Cobalt Blue
Flowerpot VP1 Pendant Lamp, Signal Green
Flowerpot VP1 Pendant Lamp, Dark plum
Flowerpot VP1 Pendant Lamp, Stone blue
Flowerpot VP1 Pendant Lamp, Vermilion red
Flowerpot VP1 Pendant Lamp, Black/white

More about 'Verner Panton' in our blog

Colour Rush! An Installation by Sabine Marcelis at the Vitra Design Museum Schaudepot, Weil am Rhein

...And a rainbow extended and supported by leprechauns brief discussions on the colour approaches and understandings and practice of Albert Henry Munsell, Le Corbusier, Alexander Girard, Verner Panton, Hella Jongerius and Sabine Marcelis, and thus protagonists of various hues, pun intended, from across a century and a half of developing relationships with colours; and brief discussions which allow one to go beyond colours and into the classification of colours and the manners via which we seek to standardise and organise colour... Verner Panton once famously claimed that one sits more comfortably on a colour you like...

Verner Panton – Colouring a New World at Trapholt, Kolding

..."Space and form are important elements in the creation of the [interior] environment", opined the Danish architect, artist and designer Verner Panton in 1969, however, he continues, "colours are even more important"... And no-one, even those with but the briefest familiarity with Verner Panton, can oversee the colour in Verner Panton's work...

5 New Architecture & Design Exhibitions for September 2021

..."Verner Panton... or possibly not, for, as oft discussed in these dispatches, the popular simplification and reduction of design, the popular objectification of design, means that Verner Panton is all too often and all too easily simplified and reduced to the ageometric and the colourful...

Design. Colour. Theory.: Verner Panton - Lidt om Farver/Notes on Colour

..."One sits more comfortably on a colour that one likes" declares Verner Panton in his 1997 book Lidt om Farver/Notes on Colour... We start with Verner Panton and Lidt om Farver/Notes on Colour...

smow Blog Design Calendar: October 24th 1969 – Opening Qu'est-ce que le design? @ Musée des Arts Décoratifs Paris

...In an attempt to approach one the Musée des Arts Décoratifs Paris asked Charles Eames, Verner Panton, Roger Tallon, Joe Colombo and Fritz Eichler, Qu'est-ce que le design?... featured not only five of the leading international designers of the period but five designers who, on paper, represented five very different understandings of design: Charles Eames, one of the leading proponents of that post-War American interpretation of functionalism; the young Italian radical Joe Colombo with his utopian visions of our domestic spaces and understandings of design as much as a branch of linguistics as 3D forming; Roger Tallon, the Grand Doyen of French design, and for all of technical design for industry; Fritz Eichler, the first Design Director at Braun, a man very much associated with technical design for consumers, and the sober reduction of Germanic gute Form; and Verner Panton with his pop tendencies, holistic compositions and understanding of the role, the near primacy, of colour in design...

All 'Verner Panton' Posts

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