...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...
118 / 118 Mby Sebastian Herkner, 2018 — from 392,00 €
|Product type||Dining chair|
|Weight||118 with wicker seat: 4 kg
118 M with moulded wooden seat: 4,3 kg
|Material||Frame: solid beech, stained or glazed
Seat: wicker with plastic backing or moulded wood
|Variants||Also available as 118 High Gloss with high gloss colours|
|Care||Click for more information (ca. 0,7 MB).
|Certificates & Sustainability||Thonet has declared sustainability to be a corporate principle. The manufacturer continuously optimizes all processes from production/technology, materials management and recyclability to transport routes and constantly pays attention to resource-saving energy and material consumption. Last but not least, social and ethical principles are among the top priorities. Thonet has been awarded the "Green Globe Certificate" for its measures of sustainable and environmentally friendly management - further details can be found here.|
|Datasheet||Please click on picture for detailed information (ca. 0,7 MB).
More about 'Thonet', '118' in our blog
...And which brings us to the Thonet Test... Furniture from Thonet at the Grassimuseum Leipzig, the Thonet Test is a very poorly defined test which in essence poses the question if an exhibition devoted to a particular manufacturer, and/or sponsored by a manufacturer featured in the exhibition, is just advertising for that manufacturer?...
...520 by Marco Dessí for Thonet For all the associations of bentwood furniture with open, airy, reduced forms, as the exhibition Bentwood and Beyond at the MAK Vienna neatly explains, in their early years Thonet produced a lot of upholstered bentwood furniture... According to Marco Dessí a major influence for the 520 is the Thonet 209 from 1900, a work which audaciously sends an armrest ring sweeping down from the top of the backrest, and while we get the association with the 209, we're also sensing the spirit of some of Adolf Schneck's early 20th century works for Thonet, and also something new...
Bentwood and Beyond. Thonet and Modern Furniture Design @ the MAK – Museum für angewandte Kunst, Vienna
...One such being inarguably Michael Thonet... Thonet and Modern Furniture Design the MAK – Museum für angewandte Kunst Vienna navigate the history of that tributary and explore its legacy and contemporary relevance, and relationship, to the course of furniture design...
...Thonet and Modern Furniture Design" at the MAK – Museum für angewandte Kunst, Vienna, Austria As oft discussed in these dispatches, whereas the Thonet (hi)story begins in Boppard it's crescendo was in Vienna, and in many regards with works such as the chair Nr... 14, the so-called coffee house chair, Thonet contributed as much to the (hi)story of Vienna as Vienna did to the (hi)story of Thonet; consequently, it is very fitting that the city's Museum für angewandte Kunst should mark the 200th anniversary of Michael Thonet establishing his first workshop in Boppard with an exhibition dedicated to exploring Thonet's contribution to the development of furniture design: developments and a contribution whose crescendo emanated from the family workshop in Vienna-Gumpendorf, and which continues to resonate today...
...It's probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet... And now with the 118 Thonet present the "Offenbach" Chair, a nod to Sebastian Herkner's adopted home, and a name which contains the sort of delightfully irreverent self-irony sadly missing in the largely humourless contemporary furniture industry...