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smow Cologne
Waidmarkt 11
50676 Cologne

+49 221 933 80 60
koeln@smow.de

Opening times:
Mon-Wed 10 am - 6 pm
Thu-Fri 10 am - 6 pm
Sat 10 am - 4 pm
S 64 / S 64 N
Offer
S 32 / S 32 N
Offer
S 43 Classic
Offer
S 285/1 - S 285/2
S 33 / S 34
214
S 43 F Classic
Offer
S 285
S 43 Classics in Colour
Offer
S 285/0
LUM Standing Lamp
S 32 PV / S 64 PV Pure Materials
Offer
S 35 L
B 117
B 9
S 1520
B 9 Glass
Set B 9
Offer
B10/1
S 64 Swivel Chair
B 9 Pure Materials
Set B 9 a + b
Offer
118 / 118 M
Offer
LUM Table Lamp
S 1200
118 High Gloss
Offer
S 1521
Offer
Set B 97 Glass
Offer
B 97 Glass
Set B 97
Offer
S 32 N / S 64 N Pure Materials
Offer
S 411
S 43 Swivel Chair
404 / 404 F
Offer
S 35 LH
B 108
B 97
B 9d/1
B 10
209 / 210
Offer
1025
S 533
S 360
214 K
MR 515/516/517
S 333 smow20 Anniversary Edition
Special Edition
214 Two-Tone
Special Edition
218 / 218 M
Set B 9 Glass
Offer
S 32 V / S 64 V Pure Materials Special Edition
Special Edition
S 33 N All Seasons
S 34 N All Seasons
233
S 35 N All Seasons
B 9 Classics in Colour
B 22
S 533 N All Seasons
S 43 K (Children's Chair)
S 8000
S 35 NH All Seasons
S 1040 Outdoor
118 F
Offer
1500
Offer
S 32 V / S 64 V Pure Materials
New
119 F / 119 MF
Nesting Table B 97 Classics in Colour
S 40 Outdoor
S 661
New
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More about 'Köln', 'Thonet' in our blog

smow Song Contest 2022

...Increasing Rhein trade which continued increasing throughout the 20th century and saw Cologne's port move in 1970 some 12 kilometres downstream to a much larger facility in Köln-Niehl; a move which saw the Rheinauhafen become largely redundant...

Isamu Noguchi at the Museum Ludwig, Cologne

"Everything is sculpture" opined once Isamu Noguchi.1 But is it? The exhibtion Isa­mu Noguchi in the Mu­se­um Lud­wig, Cologne, allows one to engage with, reflect on, immerse yourself in Isamu Noguchi's life and work, and thus to better approach your own...

smow Song Contest 2021

After a long, challenging, year the smow Song Contest finds itself exactly where it was: Rotterdam. Not just the location, but the stage, the decoration, the costumes, even the bier en frieten exactly as they were twelve months ago. The decisive, defining,...

smow Blog Design Calendar: August 5th 1899 – Happy Birthday Mart Stam!

...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...

100 Years of Positionable Light @ the Museum für Kunst und Gewerbe Hamburg

...And which brings us to the Thonet Test... Furniture from Thonet at the Grassimuseum Leipzig, the Thonet Test is a very poorly defined test which in essence poses the question if an exhibition devoted to a particular manufacturer, and/or sponsored by a manufacturer featured in the exhibition, is just advertising for that manufacturer?...

Passagen Cologne 2020: Generation Köln trifft Bregenzerwald

...Originating in context of the German/Dutch design project Maken/Machen, and premiering at Dutch Design Week 2017, Generation Köln shouldn't be confused for a formal group, far less a collective, but much more is a platform for presenting some of Cologne's local designers, or localish designers, designers with a connection to Cologne, and which in its current, and most recent, incarnation features Karoline Fesser, Klemens Grund, Tim Kerp and Thomas Schnur... A quartet who for the 2019 Generation Köln project cooperated with carpentry businesses in Austria's Bregenzerwald, Bregenz Forest...

smow Blog Design Calendar: December 10th 1869 - Thonet Relinquish Solid Wood Bending Privilege

...On December 10th 1869 Gebrüder Thonet voluntarily relinquished their 1856 Privilege in respect of "The manufacture of chairs and table legs made of bent wood, the bending facilitated by the action of steam or simmering liquids"; thereby ending not only a thirteen year monopoly during which time Thonet became a firmly established global brand, but also the culmination of a neigh on three decade story which highlights the importance of patent protection in the furniture industry... A carpenter by trade, Michael Thonet began experimenting with bending wood veneers in his native Boppard am Rhein in the early 1830s, and therefore at that period when veneer was not only becoming increasingly popular in Europe, but when the introduction of mechanised production methods was making it ever more readily and cost effectively available; as such, one can understand his experimentation as an attempt to develop processes which allowed for meaningful expressions of the potential of that material, if you will to allow carpentry to move in new directions, for all in terms of furniture production...


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