...The popular Bauhaus focus, preoccupation, of discussions on creativity in the 1920s very naturally leads to us all ignoring other important protagonists, causes us all, when oft unwittingly, to miss other equally valid, and enjoyable, paths to appreciations of developments in craft, design, technology and our objects of daily use in the early decades of the 20th century, that important, and still very relevant, period where handwork increasingly ceded to industry... Haël, is and was essentially a platform for Margarete Heymann-Loebenstein, a creative who, while still Margarete Heymann, had learned her craft, her art, and who began to develop her positions and her approaches, during periods at the Kunstgewerbeschule Köln, the Kunstakademie Düsseldorf and Bauhaus Weimar, or more specifically the Bauhaus ceramics workshop in Dornburg under the direction of Gerhard Marcks, before, together with her, then, husband Gustav and brother-in-law Daniel as the more business orientated components of the partnership, establishing Haël, and that at the age of just 24...