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Vitra from smow Berlin

smow Berlin
Kurfürstendamm 100
10709 Berlin

+49 30 31 00 44 22
berlin@smow.de

Opening times:
Mon-Fri 10:30 am - 7 pm
Sat 11 am - 7 pm
Eames Plastic Side Chair RE DSW
Lounge Chair & Ottoman
Eames Plastic Armchair RE DAW
Eames Plastic Side Chair RE DSR
Eames Plastic Armchair RE RAR
Aluminium Group EA 107 / EA 108
Eames Plastic Armchair RE DAR
Aluminium Group EA 119
Panton Chair
Aluminium Group EA 117
Grand Repos
LTR Occasional Table
Noguchi Coffee Table
Glides (1 Set) for Vitra Chairs
Hang It All
EM Table
Aluminium Group EA 124
Wooden Dolls
Soft Pad Group EA 219
Eames Elephant
Eames Plastic Side Chair RE DSX
Lobby Chair ES 104
Eames Plastic Armchair RE PACC
Castor for Vitra chairs
Eames Plastic Armchair RE DAX
Soft Pad Group EA 217
Physix
Lobby Chair ES 105 / ES 108
Eames Stools
Eames Plastic Side Chair RE DSS
Nelson Bench
Uten.Silo I
Uten.Silo II
Soft Pad Group EA 207 / EA 208
Soft Pad Group EA 222
Corniches
ID Mesh
ID Trim
HAL Bar Stool
HAL Wood
Aluminium Group EA 105
Aluminium Group EA 103 / EA 104
Belleville Armchair Wood
Belleville Chair Outdoor
Toolbox
Repos
Plywood Group LCW / LCW Leather
Eames Plastic Side Chair RE PSCC
Guéridon
Panton Junior
.03
.05
Home Desk
Night Clock
Eames House Bird
Wiggle Side Chair
Ball Clock
Cork Family
ID Soft
Softshell Chair with four-legged base
HAL Armchair Wood
ID Soft Black Special
Offer
Seat Cushion for Wire Chair (DKR/DKW/DKX/LKR)
ID Air
ID Trim L
Belleville Table Outdoor
Girard Classic Trays
Belleville Armchair Outdoor
Tip Ton
Sunburst Clock Black
Standard SP
MedaSlim
Plywood Group DCM
Plywood Group LCM / LCM Leather
Plywood Group DCW
Standard
Tabouret Haut
Heart Cone Chair
Amoebe
Prismatic Table
NesTable
Elephant Stool
Akari 10A
Akari 26A / 21A / 15A
Akari 45A / 55A / 75A / 120A
Akari 55D / 75D
Sunburst Clock
Sunflower Clock
Asterisk Clock
Eye Clock
Cone Clock
Aluminium Group EA 125
Metal Side Table
Visavis 2
HAL Ply Bar Stool
HAL Tube
Bistro Table Indoor
Bistro Table Outdoor
HAL Cantilever
Coat Dots Set of 3
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More about 'Vitra', 'Berlin' in our blog

The Historia Supellexalis: "V" for Vitra

...Vitra A Fehlbaum; A Campus; A Commonwealth According to the Sagas of the Dolls of Wood, that most authoritative account of the early (hi)story of the Commonwealth of Vitra, the contemporary Vitronians trace their origins back to a joining of forces of the Graeter, a Basel based people whose primary trade was the creation of display systems for shops and shop windows, and the Birsfelden Fehlbaum, a primarily office based people at that time under the guidance of a Willi and an Erika; a Willi and an Erika Fehlbaum who not only assumed guidance over the newly united peoples but also instigated a slow expansion of the shop furniture of the Graeter to a collection of items of practical, everyday, use in and for houses, a, at that time, novel accommodation concept in the Basel/Birsfelden region... And a shift away from the Graeter's and Fehlbaum's traditional trades, and an expansion from the Graeter and Fehlbaum's native region, that saw Willi and Erika adopt the name 'Vitra' for the new, shared, dominion, a use of the nominative plural of the Latin vitrum, glass, that was a reminder of the display windows of the Graeter, a reminder of the mirrors and lightbulbs of the earliest joint Graeter Fehlbaum house products, a reminder of the work, and teachings, and lessons, of Hanstheo Baumann, and also a committent to the new transparency and openness demanded in the Europe of that age as it moved on from the terrible and debilitating and thoroughly avoidable World Wide War...

Tsuyoshi Tane: The Garden House in the Vitra Design Museum Gallery and on the Vitra Campus, Weil am Rhein

...1 The exhibition Tsuyoshi Tane: The Garden House in the Vitra Design Museum Gallery, and the eponymous Garden House by Tsuyoshi Tane, the latest addition to the Vitra Campus in Weil am Rhein, allow one to approach not only a better appreciation of Tane's positions but also to experience how they influence and inform his approach, his works, his architecture... For all that Vitra is popularly associated with Weil am Rhein, Germany, the company's origins are to be found just across the border in Switzerland, specifically in Birsfelden on the edge of Basel, the association with Weil am Rhein being first forged in the early 1950s, a period when Vitra was still, primarily, a shop-fitting company, if one taking its first, tentative, steps into domestic interiors alongside retail interiors...

All Hands On: Basketry at the Museum Europäischer Kulturen, Berlin

...With the exhibition All Hands On: Basketry the Museum Europäischer Kulturen, Berlin allow for, demand, a critical reassessment... And reflections on basketry and architecture also encouraged via a presentation of examples of the use of basketry by non-human animals in their architecture, primarily the various species of the so-called weaver birds, alongside examples of the use of basketry by human animals without the assistance of architects, including examples of the many living root bridges to be found in the forests of the state of Meghalaya in northeastern India, again one presumes India, Asia, and not India, Europe, and alongside examples of the use of basketry by human architect animals such as the proposed Haus der Zukunft, House of the Future, in Berlin by Office for Living Architecture, OLA, a composition in steel, glass, concrete and trees as a union of the nature constructed world and human constructed world to a single inseparable entity...

Hej rup! The Czech Avant-Garde at the Bröhan Museum, Berlin

...The Czech Avant-Garde the Bröhan Museum, Berlin, provide for an introductory course in inter-War Czechoslovakian... Design for Socialist Spaces at the Kunstgewerbemuseum, Berlin, combined with a general rejection in western Europe of eastern European design, has led to the relatively poor appreciations today of not only the (hi)story of design in nations such as the former Czechoslovakia, including popular appreciations of how the relative brevity of the Czechoslovakian avant-garde influenced and informed post-War Czechoslovakian designers, for it invariably did, even as reaction against it, but also leads to the relatively poor appreciations of contemporary design in the lands of the former Czechoslovakia...

Grassimesse 2023 Compact: Babette Wiezorek

...A necessity and a meaningfulness, and also a contemporary need for a questioning of what the 3D printing of ceramics means, what is possible, what is advisable, where are the pitfalls, what novel objects and solutions does it allow, what novel formal expressions and relationships, etc, etc, etc, that can be understood, and discoursed with, in the varied and various objects presented at the 2023 Grassimesse by Berlin based designer Babette Wiezorek...

Grassimesse 2023 Compact: New Sources by Matthias Gschwendtner

...Developed by Matthias Gschwendtner in context of his Diploma Project at the Universität der Künste, UdK, Berlin New Sources sees, and simplifying more than is perhaps prudent, Matthias employ Artificial Intelligence, 3D scanning, algorithmic modelling and robotic milling to form silver birch branches into the necessary components for a chair...

Haël. Margarete Heymann-Loebenstein and her workshops for decorative ceramics 1923-1934 at the Bröhan Museum, Berlin

...Margarete Heymann-Loebenstein and her workshops for decorative ceramics 1923-1934 the Bröhan Museum, Berlin, helps one locate, and begin to explore, one of those regularly overlooked paths and thereby allows one to begin to develop those more probable appreciations... Established in 1923 in Marwitz, a village in a region to the north of Berlin with a long (hi)story of and in ceramics, not least in context of decorative tiles for ceramic stoves, but also decorative wall tiles, many of which were employed in the Berliner expressions of Jugendstil, and examples of which can be still be found adorning late 19th/early 20th century walls in the German capital, Haël-Werkstätten für künstlerische Keramik, a...


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