Products Rooms Manufacturers & Designers Highlights Offers Info Stores
Knoll International

Barcelona Chair - Limited Bauhaus Edition

by Ludwig Mies van der Rohe, 1929 — 8.180,00 €
Knoll International Barcelona Chair - Limited Bauhaus Edition

has been added to your wishlist.
Knoll International Logo
Barcelona Chair - Limited Bauhaus Edition

Click here for more images  
8.180,00 € *
Expected receipt of goods: next week
3 % advance payment discount*: 7.934,60 € (Save 245,40 €)

On the occasion of the 100th Bauhaus anniversary, American manufacturer Knoll International launch in 2019 a strictly limited edition of Mies van der Rohe's Barcelona chair. Bauhaus legend Ludwig Mies van der Rohe designed the Barcelona armchair in 1929 for the German Pavilion for the World's Fair in Barcelona - for none less than the Spanish royal couple. The Bauhaus armchair is considered a milestone in the history of modern design and in 2019, in the Bauhaus centenary year, the Barcelona Chair shines in a special edition of 365 pieces crafted from high-quality dark green Bauhaus leather.

Details

Product type Lounge Chair (Limited Edition)
Dimensions Height: 77 cm
Width: 75 cm
Depth: 77 cm
Seat height: 43 cm
Material Frame: Flat spring steel frame, dark chrome
Upholstery: Foam covered with carefully selected Bauhaus leather, green
Variants Regular Barcelona Chair available separately
Identification The edition number, the Knoll logo and the signature of Mies van der Rohe are engraved on the frame.
Delivery includes 1 chair
Incl. Authentication certificate
Care Maintain and clean the leather cover according to the attached brochure.
Awards & Museum MoMA, New York
Certificates Conforms to BS5852 (fire protection directive)
Warranty 24 months
Produktfamilie Barcelona Collection

FAQ

?
Should the answers to your questions not be found here, our service team can be contacted Mon-Fri, 9 am - 5 pm via +49 341 2222 88 22.

How do I recognise an original Barcelona chair?

The Knoll logo and the signature of Ludwig Mies van der Rohe are engraved on the frame.

What is distinguishing about Bauhaus leather?

Bauhaus leather is a chrome tanned semi-aniline full grain leather with a light, luxurious finish.

Design Story

The Design

It is no coincidence that the Barcelona Chair by Mies van der Rohe appears so noble and elegant: it was designed explicitly for the use of the Spanish royal couple on the occasion of the opening ceremony of the German Pavilion at the World Expo 1929 in Barcelona. Ludwig Mies van der Rohe was looking for the occasion an elegant, costly and monumental chair. Featuring a base inspired by the classical form of the scissors chair, the Barcelona Chair can very much be considered as a modern throne. Characteristic of the work is the perfectly formed combination of wide seat and backrest with the x-shaped, subtly curved legs which give the Knoll Barcelona Chair its light, almost floating, character. In the design history of the twentieth century the Barcelona chair is considered both ground-breaking and iconographic, and more than sixty years after its initial production is still produced according to the original dimensions. Complimenting the chair Knoll also produce and distribute the Barcelona Stool.

Barcelona Bauhaus Edition in dark green

Designer

Ludwig Mies van der Rohe was born on 27th March 1886 in Aachen and is not only remembered by history as a designer of Knoll's Barcelona chair, but also as an architect. His first modern and energy-efficient buildings originated from 1923, and in 1927 Mies van der Rohe was responsible for the curation of the Weissenhof Estate in Stuttgart, unquestionably one of modernisms genuine flagship projects. For his own apartment house on the Weissenhof Estate Mies van der Rohe made his first use of a steel frame, a construction principle which allowed for the enlargement of the window areas and a more variable use of the residential space, a construction principle which was to be fundamental in his later buildings. In addition to being commissioned to design the German Pavilion for the 1929 World Exhibition in Barcelona, Mies van der Rohe was also requested to design the furniture for the pavilion. The pavilion proved to be a main attraction of the World Exhibition and is now considered one of the most significant works of modern architectural history: equally so with the Barcelona Chair. Although his career in Germany was interpreted by the outbreak of war, he was able to continue with his success in America following his emigration in 1938.

Classics among themselves: Barcelona Chairs and Saarinen side table

Manufacturer

The manufacturer of the Barcelona chair, Knoll International, is a globally active furniture producer with production facilities in Europe and the USA, and an international network of sales offices.. The history of the company begins in 1938 when the German emigree Hans Knoll founded the company in New York City just a year after his arrival in the United States. At the beginning of the 1950s production was then moved to Pennsylvania, largely because the area was traditionally regarded as the location for traditional crafts and had a good potential in terms of available manpower. Today, the company headquarters and the largest production plant are still located in the area and alone the fact that some 40 Knoll designs are included in the MoMA New York permanent design collection indicate the importance of the company in the history of modern furniture design. Today, the company is divided into two divisions: KnollStudio and Knoll Office. The KnollStudio portfolio encompasses design classics such as the original Barcelona Chair or Eero Saarinen's Tulip chair in addition to contemporary designs from the likes of Frank Gehry. Knoll Office offers innovative furnishing solutions for the office environment.

Presentation of the Bauhaus Edition at the beginning of the Bauhaus year 2019 at the IMM in Cologne

Production

Since 1953 the exclusive manufacturing rights for Mies van der Rohe's Barcelona Chair have been held by US based manufacturer Knoll International. Formed from hand polished stainless steel the Barcelona chair features a leather upholstery crafted from 40 individual pieces of leather, sewn together by hand and then completed with piping and buttons. Knoll's Barcelona Chair is available in various leathers and colours and also comes in a smaller version for children. With the Barcelona Chair Relax Knoll has recently adapted the leather chair so beloved of waiting and lounge areas with a multi-layer padding version specifically intended for use in living areas. The high quality and durability of the Knoll Barcelona Chair and Barcelona Chair Relax are guaranteed by the over sixty years of experience in the production Knoll have acquired and the company's compliance with strict environmental and sustainability policies.

Bauhausler Ludwig Mies van der Rohe is one of the most important modernist designers and architects

Historical Context

As one of the most important representatives of classical modernism Mies van der Rohe's ground-breaking ideas influenced generations of architects, as did and do his numerous furniture designs, designs he often developed, as in the case of Barcelona Chairs, in the context of an architectural project and which remain true to his "less is more" philosophy. Mies van der Rohe's Barcelona chair speaks a thoroughly modern design language, and the same form language in which his open and strictly geometrical buildings can be understood and enjoyed. Today international modernism is particularly closely associated with the Weimar Bauhaus, an institution founded in 1919 by Walter Gropius and which went on to redefine both design education as well as design theory. And although Ludwig Mies van der Rohe served as Bauhaus Director from 1931 until the final closure of 1932 his designs are generally not classified as part of the movement.

Knoll owns the exclusive production rights for the original Barcelona Chair

More about 'Ludwig Mies van der Rohe' in our journal

Architecture & Design Titbits: Where Rum Becomes Art -The Neue Nationalgalerie Berlin by Ludwig Mies van der Rohe

...Starting with the not inappropriate titbit that the Neue Nationalgalerie in Berlin by Ludwig Mies van der Rohe was first sketched on the back of a cocktail napkin... For when commissioned in 1962 to build a new museum for 20th century art in Berlin Ludwig Mies van der Rohe had an answer in his desk drawer; a building that echoes the work of Karl Friedrich Schinkel, that defining architect of 19th century Prussian Berlin, an important, defining, early influence on Ludwig Mies van der Rohe that remained with him informing his work, his architectural and furniture work, for what is the base of his and Sergius Ruegenberg's Barcelona Chair if not a reimagining of Schinkel's ever informative and instructive early 19th century cast iron garden chair, that serial, industrial chair from an age before serial, industrial furniture production...

The Historia Supellexalis: X for X-Base Chair

X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved...

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...A 1927 building exhibition at which Mart Stam premiered his W1 and W2 the, by all accounts and as far as (hi)story has recorded, first cantilevered steel tube chairs and of which the Thonet S 33 that can be explored in Stühle zum (Be)Sitzen is a direct further development, not least in the fact it is not quite as rigid as the W1 and W2: not as formally rigid, is slightly softer, it curves a little more, than the uncompromisingly quadratic of the W1 and W2, and not as structurally rigid, is slightly softer, is more resilient in the sitting experience; a resilience that for all it is today a central feature of the cantilever chair wasn't at the forefront Stam's intentions with the W1 and W2, rather is a resilience which a Ludwig Mies van der Rohe brought to the cantilever, largely because he was extremely critical of, and unhappy with, Stam's design... A Thonet curving, flowing, billowing, organic, that can also be followed in the base of the 1929 Barcelona Chair by Ludwig Mies van der Rohe and Sergius Ruegenberg, the latter of whom famously, or not so famously, but which should be famously, shaped the seat, or at least began the process of shaping the seat, through sitting in the sand on a beach by way of approaching the required relationship between seat and backrest, albeit sat in the sand not on Barcelona Beach but on Wannsee Beach, on the southern edge of Berlin...

The Furniture of Lilly Reich and Ludwig Mies van der Rohe: The Early Years

..."1 A statement that has in many regards come to define understandings of the furniture designs of both Ludwig Mies van der Rohe and Lilly Reich... And a statement and understanding whose clarification not only provides an excellent starting point for an exploration of the furniture designs of Lilly Reich and Ludwig Mies van der Rohe, but also for some reflections on the (hi)story of furniture design...

smow blog Design Calendar: March 27th 1886 – Happy Birthday Ludwig Mies van der Rohe!

...What words can one find to honour the birthday of the German architect, designer and ex-Bauhaus Director Ludwig Mies van der Rohe?... The interviews were subsequently published in the American architecture magazine Pencil Points, the September 1935 edition featuring Nelson's portrait of Ludwig Mies van der Rohe, or Miës van der Rohe as Nelson insists on referring to him...

You may also like these articles

Barcelona Chair
Barcelona Chair Relax
MR Chaise longue Bauhaus Edition