...Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer's employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting... And brings us back to Marcel Breuer...
D4by Marcel Breuer, 1927 — from 1.175,00 €
|Product type||Collapsible armchair.|
|Dimensions||Width: 78 cm
Depth: 61 cm
Height: 71 cm
Seat height: 38 cm
The seat height can vary due to production conditions, the dimensional stability of the material and the hook-in height of the seat surface.
|Material||Frame: steel tubing , chrome plated
Seat and back: Belts, available in Bauhaus fabric (100 % polyacrylic) or iron thread
|Function & properties||Foldable and thus space-saving storage|
The re-editions of Bauhaus models produced by Tecta are approved by the Bauhaus Archive in Berlin and bear the Bauhaus signet designed by Oskar Schlemmer.
|Care||To clean the frame, we recommend a soft, damp cloth
The fabric covers can be carefully vacuumed
Please treat leather surfaces regularly with a suitable leather care product
|Awards & museum||Since 1980 part of the Permanent Collection of Museum of Modern Art (MoMA), New York|
More about 'Marcel Breuer', 'Bauhaus' in our blog
Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin. Reprise.... Or, Luigi Colani and the HfG Ulm
...If a contribution that today is all too often reduced to Bauhaus... A reduction Luigi Colani makes, his "German creative spirituality of the twenties and thirties" being essentially a synonym for Bauhaus...
...Hosted at, and led by, Syracuse University Libraries and including contributions from international institutions such as, and amongst many others, the Archives of American Art, the gta Archiv/ETH Zurich, the Vitra Design Museum or the Bauhaus Archiv Berlin, the Marcel Breuer Digital Archive makes over 80,000 letters, photos, sketches, magazine articles, invoices etc, etc, etc by, from and for Marcel Breuer available for perusal and study 24/7; and which thus not only allows us all to approach that better understanding of Breuer, but also helps us all better place Breuer on architecture and design's helix...
...Stiftung Bauhaus Dessau - Frauenklasse?... For all that Bauhaus is often held up as something thoroughly revolutionary, it was also very, very much of its time...
In 1977 Ludwig Glaeser, curator of the Mies van der Rohe Archive at the Museum of Modern Art, New York, opinioned that "it is certainly more than a coincidence that [Mies van der Rohe's] involvement in furniture and exhibition design began in the same year as...
...Prior to his aforementioned acquaintance with Mies van der Rohe's cantilever chairs, Lorenz had seen works by Marcel Breuer in the office of Breuer's associate, business partner, and fellow Hungarian, Kálmán Lengyel, and subsequently not only joined the board of Breuer and Lengyel's Standard Möbel company but undertook experiments in his own workshop to further develop the technical, material, aspects of Breuer's work, experiments which, as he describes, were intended to bring the same resilience to Breuer's designs that he had felt in Mies's... Thonet, serving between 1933 and 1935 as, and somewhat logically, Head of Industrial Property Rights, before spending the second half of the 1930s in closed contact with the likes of Mies van der Rohe, Hans Luckhardt, Heinz Rasch, Lily Reich, László Moholy-Nagy and Marcel Breuer...
...As we never tire of repeating, as the centenary of Bauhaus Weimar approaches it is increasingly important to place that one school in context of its time and place, to explain that it wasn't a "Eureka!... " moment but a consequence of specific developments, and also that the development of the institute over Weimer to Bauhaus Dessau and on to the, more or less theoretical, Bauhaus Berlin and beyond wasn't an internal Bauhaus development but a component of a wider development of understandings of architecture and design, of the relationships between art and technology...