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Tecta

D4, Bauhaus Straps, rose

by Marcel Breuer, 1927 — from 958,00 €
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1.048,00 € *
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The D4 by Marcel Breuer through Tecta can, in effect, be referred to as the foldable brother of the Wassily chair. Originally named B4, this elegant folding chair presents itself as a mobile version of the steel tube lounge chair and thus a version which can be used when and where it is needed. The background behind and the materials used make the D4 an example of Bauhaus furniture par excellence.

Details

Product type Collapsible armchair.
Dimensions Width: 78 cm
Depth: 61 cm
Height: 71 cm
Seat height: 44 cm
Colours Iron thread

Bauhaus Straps

Material Frame: steel tubing , chrome plated
Seat and back: Belts, available in Bauhaus fabric (100 % polyacrylic) or iron thread
Product presentation
Function & properties Foldable and thus space-saving storage
Certification
The re-editions of Bauhaus models produced by Tecta are approved by the Bauhaus Archive in Berlin and bear the Bauhaus signet designed by Oskar Schlemmer.
Care To clean the frame, we recommend a soft, damp cloth
The fabric covers can be carefully vacuumed
Please treat leather surfaces regularly with a suitable leather care product
Awards & museum Since 1980 part of the Permanent Collection of Museum of Modern Art (MoMA), New York
Warranty 24 months

Popular versions

D4, Bauhaus Straps, rose
New Colours
D4, Bauhaus Straps, black
New Colours
D4, Bauhaus Straps, mud brown
New Colours
D4, Cavalry cloth, red
New Colours

More about 'Bauhaus', 'Marcel Breuer' in our blog

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...In 2018 the Bauhaus Lab reflected on that connector, Konrad Wachsmann and standardised, prefabricated construction systems... The results of those reflections were discussed in a one day symposium, and can be viewed in the exhibition The Art of Joining: Designing the Universal Connector at Stiftung Bauhaus Dessau...

5 New Architecture & Design Exhibitions for June 2018

...Following three years of art studies in Hamburg, Anni Fleischmann enrolled at Bauhaus Weimar in 1922, moving with the institute to Dessau in 1925, where in the same year she married Josef Albers and in 1931 took over leadership of the weaving workshop... And in doing so sounds like providing not only a thorough introduction to one of the few females to establish themselves in their own right in the largely patriarchal world of International Modernism, but also help expand understandings of the reality of Bauhaus as we approach the centenary of the founding of Bauhaus Weimar, and the cliché festival that could become...

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...A technical draughtsman and silversmith by trade, Wilhelm Wagenfeld first made a name for himself in the metal workshop at Bauhaus Weimar, which raises the question as to how he subsequently came to be so closely associated with glass?... Bulk, "but very quickly he learned that the material had its own characteristics, so much so that there ensued a disagreement between Wagenfeld and Laszlo Moholy-Nagy, his former teacher at Bauhaus...

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..., 119049 Moscow on Monday August 14th and runs until Thursday October 5th "Wege aus dem Bauhaus... One of the original teachers at Bauhaus Weimar Gerhard Marcks was also one of the leading protagonists of the prevailing idea of the age of combining art with craft to produce new form languages, new consumer goods and new art...

smow blog Design Calendar: June 1st 1932 - Mart Stam Awarded Artistic Copyright for the Cubic Cantilever Chair

...The story begins in Dessau in the mid 1920s and the development of tubular steel furniture, a process in which Marcel Breuer unquestionably played a major, if not the major, role... Aware of the commercial possibilities of the genre Marcel Breuer established in late 1926/early 1927 the company Standard-Möbel in Berlin with fellow Magyar Kálmán Lengyel, the first dedicated manufacturer of tubular steel furniture...

smow Blog Interview: Ansgar B. Heickmann, Auktionshaus Heickmann, Chemnitz ... Or, How One Sells a Marcel Breuer Chair for Euro 55,000...

...A problem which led to the defining of the following requirements: a) Elastic seat and backrest, but no upholstery, which is heavy, expensive and gathers dust b) Inclination of the seat so as to support the upper leg along its full length without the pressure that arises with a flat seating surface c) An angled position for the upper body d) Freedom of the spine because each and very pressure on the spine is both uncomfortable and unhealthy"1 The above description for a chair design may sound contemporary and it was, very contemporary when formulated by Marcel Breuer in 1925... From this analysis of the requirements of a comfortable chair Marcel Breuer realised his so-called Lattenstuhl, Slatted Armchair, one of his first chair designs and arguably one of the most central in the (hi)story of chair design...

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