...In which context one of the more interesting comparisons one can frame Dieckmann in is that with Marcel Breuer: the two were fellow students in the Weimar carpentry workshop under Gropius; they shared responsibility for the majority of the furniture and interior design of the Haus am Horn show home presented at the 1923 Bauhaus exhibition; both had a hang in their furniture to a constructivist rationalisation; both passed their Gessel exam in 1924... A state of affairs which on the one hand, arguably, is related to the fact Breuer moved not only to Dessau but to America, and thus post-War when Bauhaus, largely the Dessau incarnation, was raised by the MoMA New York to its near mythical position in the pantheon of design, when all other inter-War German design schools were wiped in a single sweep from the narrative of furniture design (hi)story, when Bauhaus became the synonym for inter-War design in Germany, Marcel Breuer was very visible...
Wassily Chair Bauhaus Editionby Marcel Breuer, 1925 — 3.081,00 €
Dimensions in cm
|Material||Frame: Steel tubing, black chrome plated, with plastic glides
Cover: Cowhide leather, black
|Variants||The standard version of the Wassily Armchair is available separately.|
|Function & Properties||Limited edition of 500|
|Delivery includes||A special cleaning cloth is included|
Clean the metal components with lukewarm water and if necessary with a mild soap. For heavier soiling a stainless steel cleaner helps. Wipe off all cleaning agents thoroughly. Never use harsh detergents. Use only soft cleaning cloths.
Chrome can be refreshed from time to time with a suitable polish. You can achieve a special shine by polishing with a dry, soft cloth.
|Awards & Museum||The Museum of Modern Art Award, 1968|
|Zertifikate||Imprinted in the furniture are in addition to the logo "Knoll International" and Marcel Breuer's signature the text "Bauhaus 100th Anniversary Limited Edition" and the serial number.
More about 'Marcel Breuer' in our blog
...Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer's employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting... And brings us back to Marcel Breuer...
...Marcel Breuer Digital Archive Born in Pécs, Hungary, in 1902 Marcel Breuer was not only one of the more important and more interesting Bauhäusler, nor only one of the driving forces behind the development and dissemination of both steel tube furniture and moulded plywood furniture, but was also an important voice in 20th century architecture, for all as the positions and understandings of the inter-War years matured and developed in post-War America and post-War Europe... And a task greatly eased, and positively encouraged, by the Marcel Breuer Digital Archive...
...Prior to his aforementioned acquaintance with Mies van der Rohe's cantilever chairs, Lorenz had seen works by Marcel Breuer in the office of Breuer's associate, business partner, and fellow Hungarian, Kálmán Lengyel, and subsequently not only joined the board of Breuer and Lengyel's Standard Möbel company but undertook experiments in his own workshop to further develop the technical, material, aspects of Breuer's work, experiments which, as he describes, were intended to bring the same resilience to Breuer's designs that he had felt in Mies's... Thonet, serving between 1933 and 1935 as, and somewhat logically, Head of Industrial Property Rights, before spending the second half of the 1930s in closed contact with the likes of Mies van der Rohe, Hans Luckhardt, Heinz Rasch, Lily Reich, László Moholy-Nagy and Marcel Breuer...
smow blog Design Calendar: June 1st 1932 - Mart Stam Awarded Artistic Copyright for the Cubic Cantilever Chair
...The story begins in Dessau in the mid 1920s and the development of tubular steel furniture, a process in which Marcel Breuer unquestionably played a major, if not the major, role... Aware of the commercial possibilities of the genre Marcel Breuer established in late 1926/early 1927 the company Standard-Möbel in Berlin with fellow Magyar Kálmán Lengyel, the first dedicated manufacturer of tubular steel furniture...
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