...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...
118 / 118 M, Stained beech - olive green, Moulded plywood seatby Sebastian Herkner, 2018 — from 338,00 €
|Product type||Dining chair|
|Weight||118 with wicker seat: 4 kg
118 M with moulded wooden seat: 4,3 kg
|Material||Frame: solid beech, stained or glazed
Seat: wicker with plastic backing or moulded wood
|Variants||Also available as 118 High Gloss with high gloss colours|
|Care||Click for more information (ca. 0,7 MB).
|Certificates & Sustainability||Thonet has declared sustainability to be a corporate principle. The manufacturer continuously optimizes all processes from production/technology, materials management and recyclability to transport routes and constantly pays attention to resource-saving energy and material consumption. Last but not least, social and ethical principles are among the top priorities. Thonet has been awarded the "Green Globe Certificate" for its measures of sustainable and environmentally friendly management - further details can be found here.|
|Datasheet||Please click on picture for detailed information (ca. 0,7 MB).
More about 'Thonet', '118' in our blog
Bentwood and Beyond. Thonet and Modern Furniture Design @ the MAK – Museum für angewandte Kunst, Vienna
...One such being inarguably Michael Thonet... Thonet and Modern Furniture Design the MAK – Museum für angewandte Kunst Vienna navigate the history of that tributary and explore its legacy and contemporary relevance, and relationship, to the course of furniture design...
...On December 10th 1869 Gebrüder Thonet voluntarily relinquished their 1856 Privilege in respect of "The manufacture of chairs and table legs made of bent wood, the bending facilitated by the action of steam or simmering liquids"; thereby ending not only a thirteen year monopoly during which time Thonet became a firmly established global brand, but also the culmination of a neigh on three decade story which highlights the importance of patent protection in the furniture industry... A carpenter by trade, Michael Thonet began experimenting with bending wood veneers in his native Boppard am Rhein in the early 1830s, and therefore at that period when veneer was not only becoming increasingly popular in Europe, but when the introduction of mechanised production methods was making it ever more readily and cost effectively available; as such, one can understand his experimentation as an attempt to develop processes which allowed for meaningful expressions of the potential of that material, if you will to allow carpentry to move in new directions, for all in terms of furniture production...
...It's probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet... And now with the 118 Thonet present the "Offenbach" Chair, a nod to Sebastian Herkner's adopted home, and a name which contains the sort of delightfully irreverent self-irony sadly missing in the largely humourless contemporary furniture industry...
...In addition Ferdinand Kramer realised numerous furniture projects in cooperation with Thonet, most famously arguably being his B403 bentwood chair, while in context of his tenure at Frankfurt University Ferdinand Kramer designed, pretty much, all the furniture and furnishings... This process, which today is particularly important, is not only historically interesting: it alone explains the immense sales of the Thonet industry, and provides a very interesting reference for the further development of rationalisation in the furniture industry...
One of the biggest challenges facing product designers in coming years will undoubtedly be the question of planned obsolescence. For while we genuinely believe that the majority of designers understand their responsibilities in terms of sustainability and...