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Le Corbusier

Le Corbusier is the nom-de-plume of Charles-Edouard Jeanneret-Gris (born in La Chaux-de-Fonds/Switzerland; died 27 August 1965 in Roquebrune-Cap-Martin/France). After studying painting and architecture at the local École d'Art, he initially worked for Josef Hofmann in Vienna, where he also made the acquaintance of Adolf Loos. Another important influence came when he was working in Paris in 1909 for over a year in the practice of Auguste Perret, a pioneering exponent of building with reinforced concrete using steel. During this period, he also visited the architect and urban planner Tony Garnier in Lyon. It was not long before Le Corbusier was focusing on modern reinforced concrete architecture. In 1917, he moved to Paris. Since he only had a few architectural commissions at the time, he spent much of his time painting, producing mainly still life's. In 1919, Le Corbusier joined the painter Amédée Ozenfant and the poet Paul Dermée to found the journal "L'Esprit Nouveau", in which he first began using his pseudonym in 1920. In 1922, Le Corbusier produced an urban planning concept for a Ville Contemporaine - a "contemporary city with a population of three million". In 1925, he collaborated with his cousin Pierre Jeanneret on designing a two-storied pavilion for the Exposition Internationale des Arts Décoratifs in Paris. The avant-garde architecture of that pavilion was complemented by furnishings of functional design and paintings by Le Corbusier, Ozenfant, Fernand Léger, Jacques Lipchitz and others. By 1927, Le Corbusier was among the leading practitioners of the New Architecture designing the housing for the Weißenhof Settlement in Stuttgart. Around 1942, he formulated his "Modular" theory, which was Le Corbusier's term for a system of proportion based on the Golden Mean that he used in his architectural designs, especially in his large-scale urban planning projects. Intended to facilitate architecture on a human scale based on an objective system, the Modular still remains one of the most controversial of Le Corbusier's theoretical approaches to architecture. A copy of Le Corbusier's famous Modular measuring tape has been re-issued by Vitra.

Le Corbusier

LC4 Chaiselongue from Cassina

More about 'Le Corbusier' in our blog

Le Corbusier and Color at the Museum für Gestaltung, Pavillon Le Corbusier, Zürich

...One could be forgiven for thinking that little would be as pointless as a Le Corbusier colouring-in book... So singularly achromatic is the popular understanding of Le Corbusier, a lack of colour reinforced by the dour, austere, round bespectacled, persona which so universally defines Le Corbusier: what, one asks oneself, could there possibly be to colour in a Le Corbusier colouring-in book?...

Design. Colour. Theory.: Amédée Ozenfant – Colour

...Born on April 15th 1886 in Saint Quentin, France, Amédée Ozenfant studied painting in Paris, and where, in the late-1910s, he co-established the artistic movement Purism, a movement arising as a response to criticisms of Cubism, and a movement co-established with the, then, Charles-Edouard Jeanneret, the, future, Le Corbusier, and thus with that creative with whom Amédée Ozenfant is most commonly popularly associated... Beyond his own painting, in many regards more important than his own painting, is and was Amédée Ozenfant's work as an author and teacher: the latter seeing him operate art schools in first Paris, then London and subsequently New York; the former, again most popularly associated with Le Corbusier, with whom Ozenfant both co-published two art history/theory books and also co-published the culture review L'Esprit Nouveau, for which the pair realised numerous joint and solo texts...

5 New Architecture & Design Exhibitions for May 2021

..."Le Corbusier and Color" at Museum für Gestaltung, Pavillon Le Corbusier, Zürich, Switzerland For all that Le Corbusier today is often associated with the quadratic whiteness of inter-War Functionalist Modernism, colour was of central importance in Le Corbusier's work, was integral to many of his approaches and understandings... And a facet of his work, approaches and understandings that the Museum für Gestaltung Zürich will discuss in a building which, arguably, more concisely than any other, demonstrates Le Corbusier's understanding of the role and function of colour in architecture: the Pavillon Le Corbusier...

Radio smow: A Le Corbusier Playlist…….

...In 1956 the Dutch electronics conglomerate Phillips asked Le Corbusier if he would be interested in designing their pavilion for the 1958 World's Fair in Brussels... Le Corbusier was...

#officetour Milestones – The Mannesmann-Haus by Peter Behrens

..."8 A comparison of the office as a living organism which reminds of, and amongst numerous other possible examples, Frank Lloyd Wright's 1902-06 Larkin Administration Building in Buffalo with its internal organisation defined by the flow of work through the space, or Le Corbusier and his Organisation rationelle, which as depicted, for example, in context of his 1933 competition entry for the new Rentenanstalt in Zürich is very much an office building as a organic entity... 20 Material such as the marble used for the vestibule staircase; a marble staircase which, according to Ludwig Mies van der Rohe, had been his contribution to the Mannesmann-Haus21, for lest we forget, not only was Le Corbusier in Behrens' employ in the early years of the 20th century, but also Walter Gropius and Ludwig Mies...

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