...Poul Henningsen As previously noted, although principally known outwith Denmark as a designer of lamps, within Denmark Poul Henningsen enjoys a much more varied fame, or perhaps better put, fames, amongst others as a journalist, cultural critic, author, architect, film-maker, social commentator, poet ... That we aren't skilled in the Danish means that in recommending Henningsen's songs and poetry we have no real idea of what is being said, either directly or subtly implied between the lines, and so apologies in advance to Denmark for any offence caused: although knowing what we do about Poul Henningsen, we can't imagine he'll be be offending, parodying and satirising, anything beyond early 20th century century bourgeois values and conventions, or as Sven Rossel and Niels Ingwersen describe the targets of Henningsen's social criticisms, “snobbishness, prejudices, the galling desire “to fit in” and all that [stands] in the way of the human being’s sense of freedom and joy...
The designer Poul Henningsen was born in 1894 as the son of the famous Danish actress Agnes Henningsen. From 1911 to 1914 he studied at the Technical School Frederiksberg and from 1914 to 1917 at the Technical College in Copenhagen. Soon after he began developing traditional yet functionalist architecture, with a focus on lighting design from the beginning. In addition, he also worked as a journalist, cultural critic and writer, but it was his work as a lighting designer that made him world famous. For a short while during the Second World War Poul Henningsen was the chief architect at Tivoli Gardens; but like many others he saw himself forced to leave before the German occupation, emigrating to Sweden where he became an important part of the resident Danish artist community. Poul Henningsen's contributions to the art of correct lighting and its underlying science made him famous far beyond Scandinavia.
Poul Henningsen & Louis Poulsen
Poul Henningsen's cooperation with the Danish lighting manufacturer Louis Poulsen began back in 1925, and was to last a lifetime. Even after his death in 1967 the manufacturer continued to produce the Henningsen's designs in the sense of the designer and occasionally to supplement special editions. However, not only as a designer, but also as the first publisher of Louis Poulsens company magazine "NYT" Poul Henningsen brought himself in the home of Louis Poulsen. He was originally emplyoed by Sophus Kaastrup-Olsen, then CEO of Louis Poulsen, after he lost his job at a Danish newspaper because of his supposedly too radical views. His pioneering work in light theory in the context of light structures, shadows, reflection and light reproduction remains to this day a cornerstone of the corporate philosophy of Louis Poulsen, a philosophy which Poul Henningsen has so strongly influenced. In 2019 Poul Henningsen would have become 125 - reason enough for a few new designs of his lamps PH Artichoke, PH 5, and PH 5 Mini, which bring the ingenuity of Henningsen with dazzling copper and brass into the here and now.
The idea of glare-free light
It is 60 years since one of the most famous and popular Scandinavian lights was born. The designer Poul Henningsen completed one of his most legendary lamps in 1958, the innovative PH 5 pendant lamp. For generations, the PH 5 has been providing glare-free illumination to countless households. And that far beyond Henningsen's native Denmark. Poul Henningsen's idea was as simple as it was innovative: he wanted to create an electric light with 100 % glare-free light. Since the 1920s, the designer has developed his own lighting philosophy and a series of lamps, some of which are still known worldwide. One of his first models was created in 1924 in collaboration with the manufacturer Louis Poulsen for the World's Fair in Paris. He thus revolutionized previously understandings of lighting and since then designed lamps in which he used the screen to shield the light and direct it exactly where it was actually needed - and without blinding unnecessarily.
PH special editions in the course of time
Over the decades, lighting manufacturer Louis Poulsen has been constantly launching new, contemporary colours and special editions of the PH lamps, constantly adding new versions with a contemporary touch to the innovative design, yet always in the spirit of Henningsen's design philosophy. There have been, for example, limited copper and amber versions of the PH 3.5-3, which dates back to 1929, or the so-called Contemporary Editions of the PH 5, in which Louis Poulsen brought a contemporary colour scheme to the design classic. In 2017, seven new harmonic shades and the slightly smaller PH 5 Mini were introduced to the market, further expanding the wide range of PH lamps. For the 60th anniversary of Louis Poulsen's classic, the PH 5 and the PH 5 Mini were released in a particularly noble copper version a version that guaranteed to make the hearts of lovers of Poul Henningsen designs beat faster.
Breathtakingly unique: The PH Artichoke
Another legendary, slightly more pompous PH lamp is Poul Henningsen's PH Artichoke, also known as the Pine Cone. Whether the lamp is more reminiscent of an artichoke or a pine cone is up to each viewer, but one thing is clear: the extravagant lamp is an eye-catcher, whether in domestic spaces or contract projects. With the distinct multi-layered shade of his PH Artichoke designer Poul Henningsen once again reached a new level of lighting architecture. The multi-unit lampshade of the Louis Poulsen lamp, as with the PH 5, creates 100 % glare-free light - but in a somewhat more complex way. The copper or stainless steel blades of the classic lamp are arranged in even rows, thus ensuring not only symmetrical, diffused-warm light but make the PH Artichoke an extraordinary, sculptural design object that conjures up a touch of luxury in every room.
Production of PH lamps
The blanks of the PH 5 shade segments are made of drawn aluminium and then finely honed and powder coated with great care. The outer sides of the PH 5 lamps are then painted by hand, while the screens of the PH Snowball are wet-painted in white. The no less than 72 leaves of the artichoke, in contrast, consist of stamped copper, laser-cut stainless steel or wet-painted steel, depending on the model. A selection of high-quality and durable materials, the dedicated manual work of long-term trained experts and the strictest control of each production step ensure the outstanding quality and durability of all PH lamps.
More about 'Poul Henningsen' in our blog
...And featuring lyrics by Poul Henningsen... Yes, that Poul Henningsen...
...For a man who is universally lauded as one of the most important Danish designers of the 20th century, there is an inexplicable scarcity of reliable, independent information on Poul Henningsen... Library shelves around the globe however buckle under the weight of Danish language works by and about Poul Henningsen: for while outwith Denmark Henningsen is popularly known for a lamp named after an unpopular vegetable, in his native Denmark he has an altogether different status...
(smow) blog Design Calendar: April 28th 1925 – L'Exposition internationale des arts décoratifs et industriels modernes opens in Paris
...It must however also be noted that in addition to the absentees the 1925 exposition did represent an important milestone for several soon-to-be stars of their branches, including Poul Henningsen who was awarded a Gold Medal for what was to become the first in the now legendary PH lamp series,6 the then student Arne Jacobsen who was awarded a Silver Medal for a chair project,7 while a fresh faced Gio Ponti was awarded a coveted Grand Prix for a collection of objects for the Florentine porcelain manufacturer Richard Ginori... Mark Mussari, Poul Henningsen - Cubism and the Conscience of Modernism, Scandinavian Studies, Vol...
...Rietveld and Wilhelm Wagenfeld before moving over, almost, all the famous classics of the genre, including, George Carwardine’s 1932 Anglepoise, Tizio by Richard Sapper, Artichoke by Poul Henningsen and various works by Verner Panton before reaching 85 Lamps by Rody Graumans through droog...
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