LC4 Chaise Longue
Adjustable Table E 1027
S 32 / S 32N
S 43 Classic
Laccio Table
Barcelona Chair
LC2 Sofa
Wassily chair
S 64 / S 64 N
S 43F Classic
WG 24
LC7 Swivel Chair
Kaiser Idell 6718 Scissor Lamp
B 9
Kaiser Idell 6631 R Luxus
Tube Light
Set B 97 Glass
B 97
Kaiser Idell 6631-P
WG 25 GL
Set B 97
S 33 / S 34
S 32 N / S 64 N Pure Materials
B 10
WA 23 SW
B 97 Glass
Bauhaus Pendant Lamp DMB26
Oblique Nesting Tables K3 A, B, C
Adjustable Table E 1027 Replacement Glass
B 9 Glass
Kaiser Idell 6556-F
B 22
B 9d/1
S 33 N All Seasons
S 285
Barcelona stool
S 533 N All Seasons
Set B 9
B 97 All Seasons
B 9 All Seasons
S 40 Outdoor
LC2 Armchair
LC3 Sofa
LC3 Armchair
S 285/1 - S 285/2
S 32 PV / S 64 PV Pure Materials
Barcelona Day Bed
B 117
LC6 Table
S 34 N All Seasons
S 35 N All Seasons
B 108
S 533
B3 Wassily Miniature
LC10-P Table
LC8 Swivel Stool
B 9 Pure Materials
S 35 NH All Seasons
Occasional Table
Petite Coiffeuse
MR Chaise lounge with armrests
MR Chair
Stuhl W1 Miniature
MR20 Miniature
Set B 9 Glass
Set B 97 All Seasons
Set B 9 All Seasons
MR Lounge Chair with armrests

More about 'Bauhaus' in our blog

Germany versus France. The Struggle over Style 1900-1930 at the Bröhan Museum Berlin

...A new age which played its most defining and most intensive role in the years after the First World War with the rise of Functionalism, a movement given arguably its best, most expressive and for all most dominant voice in Germany with institutions such as Bauhaus Dessau, exhibitions such as Weissenhofsiedlung Stuttgart or programmes such as Neue Frankfurt, and thus marking the 2:2...

5 New Design Exhibitions for May 2016

...Applied Modernism in Saxony-Anhalt 1919-1933" at Bauhaus Dessau, Dessau, Germany Without wanting to appear cheeky, travelling through the contemporary Sachsen-Anhalt, as we often do, it does seem remarkable, if not ridiculous, that one of the most important movements in the history of European architecture and design was partly rooted in such a region of eastern Germany, situated as it is a little south of Berlin but just far enough away to be untroubled by the German capital... Not only from 1925 onwards in the form of the Bauhaus school in Dessau, but from much earlier: Burg Giebichenstein College in Halle, the Junkers Factory in Dessau, the architectural innovations of Bruno Taut in Magdeburg or the experimentations in the chemical and rocket industries, among many other examples, made Sachsen-Anhalt one of the creative hotspots of inter-war Europe...

smow blog compact: Bauhaus Archiv Berlin present Textile Design Today – From Experiment to Series

...In their temporary exhibition Textile Design Today – From Experiment to Series the Bauhaus Archiv Berlin aim to explore the current status of textile design and thus the contemporary importance and relevance of textile design... Featuring contributions from established designers such as Hella Jongerius or Janne Kyttanen as well as projects by Burg Halle students and examples of commercially available products from firms as varied as Kvadrat, Création Baumann or Freitag, Textile Design Today promises to be both an extensive survey of contemporary textile design and also a reminder that many of the the subjects explored in the exhibition, were just as contemporary at Bauhaus as they are today...

Lost Furniture Design Classics: Rondella Lamp by Christian Dell

...Following the first World War and military service Christian Dell briefly ran his own silversmith workshop in Hanau before in 1922 he enrolled in Bauhaus Weimar... Initially concerned with classic silversmith objects, from 1923 onwards Christian Dell was increasingly involved in and with Bauhaus lighting design projects, most notably helping develop the various lamp designs for the 1923 Haus Am Horn project in cooperation with Georg Muche, László Moholy-Nagy and Carl Jacob Jucker...

smow Blog Interview: Ansgar B. Heickmann, Auktionshaus Heickmann, Chemnitz ... Or, How One Sells a Marcel Breuer Chair for Euro 55,000...

...Originally designed in the carpentry workshops at Bauhaus Weimar, Breuer's Lattenstuhl ignored the conventional structural principles of a chair and instead opted for a skeletal, sculptural wooden frame with pieces of stretched cloth for seat and backrest... Rietveld, the stretched material/reduced skeletal frame concept was one to which Breuer was to return throughout his career, perhaps most notably in his seating for the Aula at Bauhaus Dessau, his early cantilever chairs and his 1925 B3 Wassily Chair, a work which is in effect the Lattenstuhl just in leather and steel tubing...

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