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Knoll and Bauhaus

Mies van der Rohes MR Chair & MR Chaise Longue in the exclusive Bauhaus Edition

The history of the American manufacturer Knoll International is inextricably linked to that of the Bauhaus, and in the context of the 100th anniversary of the institution of particular relevance. Company founder Hans Knoll's father, Walter Knoll, was one of the first German furniture manufacturers to cooperate with the new generation of architects and designers, including furnishing apartments for Mies van er Rohe in the Weissenhofsiedlung Stuttgart. Hans Knoll consequently grew up along the Bauhaus movement - and with it many of its most important pioneers, such as Walter Gropius, Ludwig Mies van der Rohe and Marcel Breuer. Hans Knoll's vision was to produce furniture in that spirit in America, and in the designer and interior designer Florence Schust, who had worked with Walter Gropius and studied at the legendary Cranbrook College, he found the perfect partner. Business and personal - the two married in 1946. Florence Knoll was initially responsible for the Knoll Planning Unit, and following Hans death in 1955 led Knoll International. Designs from the Bauhaus era, such as Marcel Breuer's Wassily Lounge Chair or Mies van der Rohe's Barcelona Chair, form the design-theoretical foundation of Knoll International and one of the most important sections in the company's history. Based on the Bauhaus ideals, Knoll International developed and expanded its program to become one of the leading designer furniture manufacturers, and to write its own chapter in design history.


Original Barcelona Chair from Knoll

The Bauhaus classic: Marcel Breuer's Wassily Chair


Knoll celebrates the 100th anniversary of Bauhaus

As part of the anniversary program "100 Years Bauhaus", numerous exhibitions, events and celebrations will take place in 2019 under the motto "Rediscovering the world". In cooperation with regional and international partners, the Bauhaus Association invites you to explore the history and influence of the Bauhaus and to understand its impact on our society today. Among the many events Knoll International celebrated Bauhaus on its exhibition stand at IMM Cologne, a stand designed by Rem Koolhas as a tribute to the Bauhaus. In addition Knoll have released a limited edition of the legendary Barcelona Chair by Ludwig Mies van der Rohe in a stylish Bauhaus leather edition as well as exclusive Bauhaus editions of Mies van der Rohe's MR Chaise Longue and MR Armchair, both of which are guaranteed to make the hearts of Bauhaus fans skip a beat!

Ludwig Mies van der Rohes MR Chaise Longue will be available in 2019 in a Knoll Bauhaus Edition


More about 'Bauhaus' in our blog

Bauhaus University Weimar - Summaery 2022

...Thus for 2022 we will, regrettably, only post from those student showcases we're fortunate enough to meet in the course of our wider travels, starting in one of the more historically interesting locations in context of European architecture and design, Weimar, and the Bauhaus University's Summaery 2022... Not just on account of the convivial atmosphere around the campus when we were there, nor only on account of the wide range of projects and positions on display across all departments, nor nor only only on account of the absence of ZDF@Bauhaus's all-dominating, arrogant, stage with its hoard of security, but primarily on account of the number of works on show in the design department we argued with...

Wilhelm Wagenfeld A to Z at the Wilhelm Wagenfeld Haus, Bremen

...Born in Bremen on April 15th 1900, Wilhelm Wagenfeld initially trained as an industrial draughtsman in Bremen and Hanau before joining Bauhaus Weimar in 1923, where in 1924 he qualified as a silversmith... In the wake of Bauhaus's move to Dessau Wagenfeld remained in Weimar, taking up a position in, and from 1928 heading, the Metal Workshop at the Staatlichen Bauhochschule Weimar, the official Bauhaus Weimar successor institute, and where Wagenfeld not only worked alongside fellow ex-Bauhaüsler such as, for example, Erich Dieckmann who headed the Bauhochschule's Carpentry Workshop or Otto Lindig who headed the Ceramic Workshop, but also, through his cooperations with the institute's platform Bau- und Wohnungskunst GmbH, realised his first commercially marketed designs...

Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann at the Kunstgewerbemuseum, Berlin

...Works from across genres including furniture, ceramics, glass or lighting; works by protagonists associated with institutions such as Bauhaus Weimar, Bauhaus Dessau, the Deutsche Werkbund, Schönheit der Arbeit, Burg Giebchenstein Halle or the Deutsche Werkstätten Hellerau; works by protagonists as varied as, amongst many others, Eckart Muthesius, Marguerite Friedlaender, Kálmán Lengyel or Ruth Hildegard Geyer-Raack, the latter represented in The Others by a highly engaging 1935 iron wire chair intended to be used either inside or out and which, we'll argue, can be very much considered in context of, ¿as a continuation of?...

100 Years of Positionable Light @ the Museum für Kunst und Gewerbe Hamburg

...113 from 1924 and which sees the wall mounted concertina mechanism replaced with a desk mounted clamp and the adjustable lamp head attached to a long, positionable, bent tubular steel support, and an object which was key in the growth and establishment of the company; and also through discussions on parallel subjects including spring balanced lighting as perhaps most popularly exemplified by George Carwardine's Anglepoise, on Christian Dell, a not unimportant figure in the development of positionable lighting in the inter-War years, and also on Bauhaus: both Bauhaus's (hi)story with positionable lighting and Bauhaus's (hi)story with and to Midgard... The latter illustrated and discussed through, for example, photos of Midgard lamps in projects by Bauhäusler, including the ADGB Bundesschule in Bernau, one of the few external architecture projects realised at Bauhaus, or a letter from Walter Gropius to Curt Fischer in which Gropius organises promotional photos of Midgard lamps, and a discussion which for all helps contribute to the deconstruction of the primacy of Bauhaus in popular understandings of all things inter-War design, helps further underscore that Bauhaus wasn't alone in inter-War Germany, far less inter-war Thüringen...

#campustour 2019: Germany – Sachsen-Anhalt & Thüringen

...It's almost impossible to reflect on design education without reflecting on Bauhaus... And especially when a tour of design school summer exhibitions takes you to Sachsen-Anhalt and Thüringen, to those (contemporary) German States where for 100 years Bauhaus both began and found its de facto end...


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