Lucia Moholy: Exposures at Kunsthalle Praha
...2 A journey that includes stops in, for example, and amongst others, Weimar where Lucia and László moved in 1923 in context of László's appointment to the teaching staff at Bauhaus Weimar, and where, and as discussed from Lucia Moholy – The Image of Modernity at the Bröhan Museum, Berlin, early dabblings in photography, and early considerations that photography could, possibly, be a medium to which she, potentially, was particularly well suited, developed - sorry!... but we've got it out the way now, needn't return to it - developed into a profession, arguably a passion; a passion and a profession which, again arguably, was her primary creative occupation at first Bauhaus Weimar and subsequently at Bauhaus Dessau, be that in terms of photographing the works of students and the workshops, or in terms of photographing the buildings, for all those in Dessau, photos of buildings and works that, again as discussed from The Image of Modernity, for all that they are documentations of the buildings and works, and, certainly in terms of the works are today often the only version still in existence, the only surviving record, only documentation, they are also very much photographs that define and understand photography as more than just direct reproduction, as more than a still life or a landscape à la painting...
