...In collaboration with the Eames Office, Vitra has now revised the Eames Collection with a focus on sustainable production, materials, and colors... Vitra developed new color variants for this in close collaboration with the Eames Office...
...With whom over a coffee they spoke about his work, the poetic power of his work, the story behind the iconic La Grange barn — and, of course, the new Vitra Mynt chair... How did the project for the Mynt chair for Vitra come about?...
...But a Quixotian task Alfréd, having unwisely accepted, is, apparently we'll placed to meet: on and within the main body one finds storage space for both those objects that often from necessity, often from laziness, one stores for longer periods without ever using, and also those things that are more or less in continual use and thus must be more placed in easy reach than stored; the neck/lance with its protrusions of varying lengths provides space for hanging things on and over, whereby clothes are the obvious option, but by no means the only; while the flat upper surface of the body, which may or not be as with the back of an actual giraffe, provides a ready surface for an impromptu notebook/tablet workstation, that thing we'll all be needing in our near-future post-desk reality...
...Similarly, at each and every design week or furniture fair we invariably ask ourselves if we need ever more sectional/modular shelving and storage systems, as we stand in front of another interpretation of the concept... In terms of shelving and storage we're much harder than we are with chairs, and often decide that we don't...
It's more or less a century since the first steel tube furniture was developed, and looking around you it's relatively easy to believe that since then everything has been done, that steel tube furniture has reached its full potential. Or perhaps more...
...Diaries which contain some of the most complete and detailed descriptions of Swiss society, and in which one also finds the earliest descriptions of the earliest (hi)story of the contemporary Switzerland, a, as Heidi records, nation constituted from a loosely bound collective, a cantonation, of ancient peoples, including, and amongst many, many others, the Röthlisberger, the Horgenglarus, the Usm, the Wohnbedarf, the Embru, or the Vitronians whose contemporary Commonwealth of Vitra was initially established across a number of fields on the banks of the river Birs in the north-western corner of the Toblerone cordillera... Yet it was, inarguably, the Vitronians, for all under the leadership of the benevolent Fehlbaum der Jüngere, who were the most active in terms of international exchange; not only cooperating with an American Miller by the name of Herman to introduce works and positions by the likes of, for example, Eames Office, I Samunoguchi, George Nel-son or Alexander Gi Rard into Switzerland, but also expanding the Commonwealth of Vitra to the neighbouring regions of Germany and from where they introduced the furniture of the American Miller Herman to the many peoples of Europe...
...Or, for example, the ninth and tenth of the eight cabinets: two vitrines in the permanent exhibition space specially curated in context of Organizing Things to allow for reflections on Office Arrangement, via, for example, folders of varying genres, rubber stamps or index cards, that unassuming tool that was of such fundamental importance to the development of commerce in the early 20th century; and to allow for reflections on Systems Design, via, for example, the Braun Lectron modular electronic experimentation kit, Wilhelm Wagenfeld's Kubus storage system, or index cards, that unassuming tool that was of such fundamental importance to the development of museal and archive collections... Going forward our physical, tangible instruments and tools will without question change, or perhaps better put, going forward ever new physical, tangible, digital, instruments and tools will emerge and become dominant, an inevitably underscored not only by Serverraum, but by, and amongst many other examples to be found in the Museum der Dinge, the iPod, the index cards, Wilhelm Wagenfeld's Kubus storage system, or by the two photographic slide storage cabinets in the temporary exhibition space, which all confirm that over time our accustomed physical, tangible instruments and tools for organizing become obsolete, become replaced by, to partially misquote a Konstantin Grcic, New Normals...
