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VitraHaus

VitraHaus on the Vitra Campus in Weil am Rhein. Architecture Herzog & de Meuron, Photographer Iwan Baan
VitraHaus on the Vitra Campus in Weil am Rhein. Architecture Herzog & de Meuron, Photographer Iwan Baan

Vitra Campus grows

The VitraHaus is the newest addition to the Vitra Campus in Weil am Rhein, Germany. Designed by the Swiss architect firm of Herzog & de Meuron, the VitraHaus is primarily conceived as an exhibition space for the Vitra Home Collection.


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Background Vitra & the VitraHaus

In 2004 Vitra launched the Vitra Home Collection. Intended as a central marketing platform for Vitra's extensive collection of domestic furniture the Vitra Home Collection was also intended to clearly define the border between Vitra's domestic activities and their office furniture/general contract activities.

The VitraHaus is the new home for the Vitra Home Collection. Architecture Herzog & de Meuron, Photographer Iwan Baan
The VitraHaus is the new home for the Vitra Home Collection. Architecture Herzog & de Meuron, Photographer Iwan Baan

Combing designer furniture classics by the likes of Charles and Ray Eames, Verner Panton or George Nelson with the work of young, modern designers such as Jasper Morrison, Hella Jongerius or Erwan and Ronan Bouroullec, the Vitra Home Collection remained true to Charles Eames' collage style of home furnishing: A mix of carefully chosen products in different styles creates the best balance in the home.

Initially the Vitra Home Collection was displayed in part of a former factory building on the main Vitra production site. In 2006, however, Vitra commissioned the Basel based architect studio Herzog & de Meuron to create a more appropriate building in which to permanently house the Vitra Home Collection.

Space for the Vitra Home Collection. Architecture Herzog & de Meuron, Photographer smow
Space for the Vitra Home Collection. Architecture Herzog & de Meuron, Photographer smow

The result is the VitraHaus.

In addition to housing the Vitra Home Collection, the VitraHaus is also the latest addition to the so-called Vitra Campus, a collection of buildings by internationally renowned designers and architects. The VitraHaus is the first new building on the Vitra Campus since the completion of Zaha Hadid's Fire Station and Tadao Ando's Conference Pavilion in 1993.


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Design of the VitraHaus

The VitraHaus is the new home for thw Vitra Home Collection. VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan
The VitraHaus is the new home for thw Vitra Home Collection. VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan

The VitraHaus structure is based on a classic house design; albeit a classic house design that appears to have been achieved by extrusion and pressing rather than more traditional building techniques. In total the VitraHaus is comprised of 12 individual houses; the individual units are not only stacked upon one another, but also intersect and support each other.

The decision to use a typical house design stemmed principally from the consideration that the Vitra home collection should be displayed in a home environment, and not in a cold, impersonal warehouse. This homely effect is achieved not only through the outer appearance of the building, with its simple gable roofs, but also through the use of familiar, residential proportions and dimensions in the interior spaces - in effect maintaining so called domestic scale. The decision to stack the houses on top of one another was made in order to both keep the footprint of the building as small as possible, as well as to create a vertical structure which creates an overview - or better put three overviews: the surrounding landscape, the Vitra production facilities and the Vitra Home Collection.

An important feature of the VitraHaus is the glassed end gables; a feature which gives the house two personalities. By day the surrounding countryside appears to be drawn into the interior and to become almost a part of the decoration; in contrast, however, at night when illuminated from within the black outer walls merge with the night sky and the VitraHaus projects out into the night air, and becomes part of the local environment. The effect is of numerous houses floating above and next to one another.


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Controversy

The VitraHaus has not been universally welcomed in Weil am Rhein. Situated on the edge of the town, next to the vineyards and at the foot of the Tüllinger Hill, the principle complaints concern the shape of the building as well as the decision to paint the outside of the building anthracite. According to local newspaper reports, during a local council meeting in November 2009, SPD councillor Jürgen Valley called the VitraHaus a provocation and claimed that ...it doesn't fit in with the surroundings.

The VitraHaus is especially impressive at night. The individual houses appearing to float in the night sky, the interior shining out. Architecture Herzog & de Meuron, Photographer Leon Chew
The VitraHaus is especially impressive at night. The individual houses appearing to float in the night sky, the interior shining out. Architecture Herzog & de Meuron, Photographer Leon Chew

Architect Jacques Herzog, naturally, sees the situation somewhat differently. For him the project was a chance to get away from development driven architecture and a rare opportunity to complete an author driven project. For Herzog, through the stacking and interlacing you not only create a multitude of new forms and architectural spaces but achieve a wonderful paradox: a simple, familiar house design which appears complex on account of the numerous intersections. This perceived complexity is further enhanced by the combination of the external orthogonal-polygonal form and the more organic internal form which results, principally, from the spiral staircases and occasional open spaces and small side windows.

Vitra defend the colour choice as being an important part of the design: principally the black exterior allows the effect of floating houses by allowing the structure to merge with the darkness. In addition the anthracite of the VitraHaus contrasts with the brilliant white of Frank Gehry's neighbouring Vitra Design Museum.


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VitraHaus Features

In addition to being a space where visitors can test the products in the Vitra Home Collection, the VitraHaus also has a few interactive features:

Vitra Digital Catalogue

With the VitraHaus Key visitors can build wishlists and send them per email to VitraHaus partner smow for an individual sales offer.
With the VitraHaus Key visitors can build wishlists and send them per email to VitraHaus partner smow for an individual sales offer.

Every visitor to the VitraHaus receives a personal VitraHaus key. With this chip card visitors can access product details, information on the designers and the official list price for the displayed articles via the terminals that are positioned in every room. From these terminals the visitors can then build their own wishlist which they can then email to themselves - or whoever should buy the items for them. When the VitraHaus key is used for the first time the keycard stores the visitor's country of residence and preferred language and so, regardless from which room the digital catalogue is accessed, the information is always in the correct format for the visitor and so allows visitors to easily expand and/or change their wishlist as they proceed through the VitraHaus.

Photo me La Chaise armchair

On the second floor of the VitraHaus a La Chaise Armchair by Charles and Ray Eames has been set up in front of a small camera; allowing visitors to take a photo of themselves in one of the true classics of 20th century American furniture design. The photo is also stored on the personal VitraHaus keycard and can be emailed as a small memento of the visit.

Vitra Colour Laboratory

Hella Jongerius Colour Laboratory
Hella Jongerius Colour Laboratory

Created by Hella Jongerius the Vitra Colour Laboratory is a space within the VitraHaus in which visitors can experiment with and better understand colour and colour combinations. Lengths of fabric and pieces of plastic in various tones and shades are employed to help visitors better understand how colours react next to one another and how the material type can affect the way we perceive a colour. For Vitra Chairman Rolf Fehlbaum the Vitra Colour Laboratory should help visitors make better informed decisions about how they furnish their homes and help them to be more confident in their use of colour.


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VitraHaus opening hours

Monday - Sunday: 10AM - 6PM

VitraHaus Address

VitraHaus, Charles Eames Strasse, Weil am Rhein, Germany


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Key Data

Project Phases

VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan
VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan

  • Concept Design: 2006
  • Schematic Design: 2006
  • Design Development: 2006 - 2007
  • Construction Documents: 2007 - 2009
  • Construction: 2007 - 2009
  • Opening VitraHaus: February 22nd 2010

Project Team

  • Partner: Jacques Herzog, Pierre de Meuron, Wolfgang Hardt
  • Project Architect: Guillaume Delemazure (Associate), Charlotte von Moos, Thomasine Wolfensberger (Associate)
  • Project Team: Katharina Rasshofer, Harald Schmidt, Sara Secci, Nicolas Venzin, Isabel Volkmar, Thomas Wyssen

Building Data & Dimensions

  • Site Area 12,349 sqm
  • Building Footprint 1,324 sqm
  • Length 57 m (max), Width 54 m (max), Height 21.3 m
  • Gross Volume (GV) 22,755 cubic m
  • Gross Floor Area (GF) 4,126 sqm
  • Relation GV/GF 5.5
  • Facade Surface 7,800 sqm
  • Number of Levels: 1 underground + 5 above ground

VitraHaus layout

Ground Floor

Akari lamps in the VitraHaus
Akari lamps in the VitraHaus

  • Reception / foyer
  • Café
  • Vitra Design Museum Shop
  • Business lounge
  • Vitrine exhibition space

Floors 1 - 4

  • Showrooms Vitra Home Collection

Basement

  • Storage
  • Service and maintenance
  • Restrooms for visitors and employees

Reception / Foyer

  • Welcome Area: main entrance / information desk
  • Cloakroom for visitors and employees
  • Delivery

VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan
VitraHaus. Architecture Herzog & de Meuron, Photographer Iwan Baan

Café

  • Ground floor: kitchen, bar, café (80 seats), terrace

Vitra Design Museum Shop

  • Ground floor: Vitra Design Museum Shop, service counter
  • 1 floor (partial area): Vitra Design Museum Shop

Presentation Room

  • Business lounge for max. 132 people

Vitrine

  • Special exhibition area
  • Events

Yard

  • Public gathering space
  • Connection to Vitra Design Museum and parking lot
  • Main entrance VitraHaus




More about 'VitraHaus' in our blog

VitraHaus: Jongerius, Panton, Eames: The rejected colour schemes, 23.02.2010

...it really is like the EU car park in the smow yard!!!And then with lunch barely digested Moormann, Lampert and lapalma rolled up. Fantastic as all this was, it did of course...too much coffee and searching out the finest designer furniture stories for your entertainment....



VitraHaus by Herzog & de Meuron: Images, 20.02.2010

... Heute wird der iRmann Schreibtisch von Richard Lampert hergestellt, allerdings unter dem Namen Eiermann Tisch. Sowohl Apple-Produkte als auch iRmann Tische...ihn. Detaillierte Informationen zum iSlate gibt es hier nach der offiziellen Vorstellung von Apple....



VitraHaus by Herzog & De Meuron, 20.02.2010

...Menschen genutzt. Das kann kein Zufall sein. Der iRmann Tisch wird wunderbar ergänzt durch George Nelsons iClock von Vitra. Der Name iClock ist ein schlechtes Wortspiel,...ihn. Detaillierte Informationen zum iSlate gibt es hier nach der offiziellen Vorstellung von Apple....



smow wintertour 2010: Weil am Rhein, 17.02.2010

...entworfen: den Kant. Und er hat es vielleicht wieder getan mit Nook, seinem neuen Hocker für VIAL. Der Hocker aus VarioLine - einem im Spritzgießverfahren...d.h.: hochwertige moderne ostdeutsche Designtechnologie. Kölle Alaaf: Nook von Patrick Frey für VIAL...



smow wintertour 2010, Part 2: Moormann Haus, Aschau im Chiemgau, 10.02.2010

...among the top producers in the list are Cassina and Vitra and among the best represented designers Antonio Citterio and Ronan and Erwan Bouroullec.And so smow must be doing something...issue of Schöner Wohnen - and all featured articles are, obviously,' available via smow.com...



smow wintertour 2010, Part 1: VitraHaus, Weil am Rhein, 06.02.2010

...that separate the chaff from the rye. Items leaning against walls is no new concept. Alone Moormann could create a category dedicated to furniture items that are supported...to appease the weak. The leaning version is where it's at. Kölle Alaaf: luca lean by maigrau...